A walk in the rain

This morning I went for a stroll in the pouring rain. It is Vancouver in the fall after all. Other than wet feet, it was nice. I don't mind the rain and even though it was dark when I started, it's much quieter first thing in the morning.

I'm doing this for several reasons. One of them is part of my trying to work on getting a little fitter. Not because I want to do it for my health, but because I know I want to feel better, not tired all the time. I took away several little gems from a short talk by Danielle LaPorte, and one of them was to make your goals based on how achieving them will make you feel, rather than what you can achieve. A novel concept for me, but it makes sense. Rather than making a goal of wanting to lose x pounds, my goal is wanting to feel better, wanting to feel good after a hike rather than like crap because I'm too out of shape. So I'm not going to try and force myself to the gym because it's good for me. That never works, and I hate being forced to do anything, even by myself. So my solution is just to get moving. I'll start simple, with a walk in the morning. When that feels good, move on to adding on other exercise.

Another reason is the desire to cultivate a new habit. I've been doing a lot of reading as I try and work on my business concept. Photography books, business books, inspirational books. Another great idea, from The Creative Habit by Twyle Tharp, is the idea of starting your day with a routine, or from another point of view, a ritual. Something you start every day with, that is repeatable, easy to do, and creates a habit. Her definition of a ritual is an automatic but decisive pattern of behaviour. This creates an activity that becomes habit, that is done without questioning it and can be the preparation to start your day and get your creativity flowing each morning. I am feeling in need of structure to my day and by starting with a walk, during which I intend to take a photo or three, seems like an ideal way to start my day. Will I be able to continue it on a daily basis? That remains to be seen, but I have started, which can be the hardest part of all.

Getting out and taking photos is fun, but not something I manage to do all that often lately. I have no excuse, since I certainly have the time. Even when working in an office all day, I still had time, but didn't seem to be able to manage it. I need to find a way to get myself out shooting on ideally a daily basis. Why? Not because I just want to get better at photography, all photographers want that. Because I know I will feel much happier with my photography as it improves. I took a body of work class over the course of a year, three twelve week sessions, once a week. My photography improved exponentially and I love how that made me feel. I was really happy with my results when I went out to shoot with awareness of why I was out there, rather than always just aimlessly pointing my camera at what caught my eye. So again with a goal with the end result of how it feels. I know my photography will get better by simply shooting, and it will get better yet by shooting with a purpose. One week, work on composition, another work on seeing the light, etc. Finding the time? Do it on my walk. This even ties in with the goal of starting my day with a creative boost. How better for a photographer than simply going out and taking a few photos?

And speaking of photos, here's a few from this morning's walk.

A working lunch

Things are progressing along nicely. The last of the items I needed to work away at my bromoils has arrived and I can get started working my butt off on them on Monday. I've shot three friends so far and need to get the film all developed. Bit of a backlog there, as I still have film to develop from my workshop in Oregon, but it's a heck of a lot cheaper doing it yourself then taking it all to a lab. And right now, that's got to be a priority. It all comes down to "what can I get away with making do on?" and what can I cobble together. Some things it only pays to get new, such as clean trays to avoid contamination rather than buying used, but many things when you are starting out definitely end up being DYI. For example, an excellent film drying cabinet can be made from an $11 hanging closet from IKEA and grandmother's old bonnet style hair dryer.

In terms of progress, I had a chance to do some event photography last week for a great charity. While ideally one doesn't work for free, there are times when doing so can bring you a lot of benefits. I got to support an important charity, practise my photography, make some great contacts and even got a free, delicious lunch out of it. At this stage in my career simply getting a chance to shoot for someone is important and the means less so, especially when it brings tangible benefits, and those don't only have to be monetary.

As a first shoot for someone other than friends, paid or not, it's still a little nerve wracking, because, more than anything else, you want to perform well, and get the shots you need and that will make the client happy. While some would tell you I generally don't lack confidence, anything but really, the first time for anything can bring a few butterflies. I am really happy with the photos, they capture the event well I think, have all the important bits, tell the story and show the spirit of the people. That's what you really want out of good event photography.

The charity, which does some great work with BC women is The Minerva Foundation for BC Women. They provide women and girls with programs in education, leadership development and economic security amongst others. Programs such as helping women re-enter the workforce are vital, especially in our current economy. Well worth checking out and supporting.


So here's a sampling from their Education Donor Awards Luncheon.

 

1st Steps

So I've been researching and reading tons of material on photography and business. I have a lot of preparation to do before I can get the business side of things started. My 1st step, before I apply to the small business program is to get my portfolio in order. I need a lot more portraits and the easiest way to do this is get my friends and associates to sit for portraits. Or stand, or whatever. Heck, they can balance on their heads if they like, as long as they let me take their picture.

Since I'm choosing to specialise in natural light fine art portraiture, this will involve a lot of traditional portraiture as well as environmental portraiture. I'm studying up on my lighting, looking at portraits by the masters, both photographers and painters, working on getting my exposures bang on. When you are shooting film, you don't have the luxury of fixing it in post. Then again, you really should get it right in the camera in the first place regardless of whether you are shooting digital or film. I also have to work on my presentation, making a portrait session a wonderful experience for the sitter, not just a shoot. It's a collaborative process that ideally ends with great images and was wonderful to participate in for both of us.

And of course, I simply need to shoot, a lot, and make a lot of prints. Standard black and white prints, lith prints, bromoil prints. Whatever suits the mood of the image and highlights best the nature of the person in the portrait.

My goal is to try and get as much complete on my portfolio over the next two months. Then start on the business side of things with getting the business plan in order.